SPOTLIGHT: Andy Warhol's ARTCA$H (1971)

















**SPECIAL TO ALDEN PROJECTS FOR THE NY ART BOOK FAIR 2012**

ANDY WARHOL’S ARTCA$H

Alden Projects™ offers a stack of 50 examples of rare ephemera by Andy Warhol: Artcash “Ones”  an art currency created by the artist in 1971. All are in mint condition and with a provenance tracing back to the estate of the original publisher.

Andy Warhol created his own currency: “Artcash” for Experiments in Art and Technology’s (E.A.T.) benefit  “a private casino party at Automation House, New York on December 3-4, 1971. “In addition to the Andy Warhol ones,” the 1971 invitation declares, “five artists have designed currency exclusively for this bash: Robert Whitman $3, Robert Rauschenberg $12, Tom Gormley $24, Red Grooms $51 and Marisol $88.” Printed by the American Banknote Company  then also the printer for the United States Treasury  Artcash even employs the same paper used for printing United States’ currency (but sans the government’s anti-counterfeit threads)! Tickets to the event were $25 per person, so one ticket could yield two Rauschenberg’s ($12 each) and a Warhol ($1) or one Gormley ($24) and one Warhol ($1) which would be sent through the mail. “ARTCASH in the amount of your donation will be sent to you with admission tickets to start you off on your quest for fame, glory and fun. (…) You can hoard ARTCASH, use it at the casino party, or trade it for art and other prizes.” The casino benefit was held “for the benefit of the Community Television Center and the Artist’s Television Project at Automation House.” Warhol’s “Artcash” is the currency of art itself and collecting, too. More than just a token of the thing Warhol arguably loved most, dollar bills and dollar signs were also the subject of his early and late art. The essence of Pop, Warhol’s ephemera continues to arrive before tomorrow’s parties. Get yours before they are gone. Rare and only from Alden Projects™!

Founder, Billy Klüver characterized Experiments in Art and Technology (E.A.T.)’s original purpose in 1967 as follows:

“We have established a foundation, Experiments in Art and Technology, with the purpose of bringing the artists and engineers together and to convince industry that they must open their doors to the artists [...] The ultimate purpose of E.A.T. will be to act as a transducer between the artist and industry, to protect the artist from industry, and the industry from the artist, to translate the artist’s dreams into realistic technical projects.”

Warhol’s dream in 1971?  Artcash “Ones” for Art & Technology! Also available framed.  

© Todd Alden 2012                                                        Enquire

SPOTLIGHT: Boston Tea Party Flyer / Handbill (1967) for Andy Warhol's "My Hustler" & "Beauty #2"




























(ANDY WARHOL)
“Andy Warhol: My Hustler & Beauty # 2: (Boston): ‘Film Maker’s Cinematheque (a.k.a. Boston Tea Party) 53 Berkeley Street, February 21, 22, 23 (1967) 7:30 and 9:30 $1.50.” Offset lithograph printed in blue on pink paper. Vintage handbill / flyer. Excellent condition. Before transitioning into a rock-only venue of now legendary proportions, 53 Berkeley Street, Boston housed The Film Maker’s Cinematheque, which began as a showcase for underground films. The first musical concert at the site was held on January 20, 1967--just two weeks before Warhol screened films starring Paul America (My Hustler) and Edie Sedgewick (Beauty # 2). Among many other legendary rock performers, The Velvet Underground (who are named on their separate May, 1967 Boston Tea party flyer as “Andy Warhol’s Velvet Underground”) famously performed many times here, with Lou Reed declaring on stage in 1968: “This is our favorite place to play in the whole country.” A contemporary MIT student newspaper describes the venue--a unique intersection of avant-garde film and music--around February, 1967 as follows: “Also started last month and continuing at 53 Berkeley in Boston is the local branch of Film Maker's Cinematheque and the Boston Tea Party with experimental lighting and electronics by an MIT graduate. With the establishment of the Cinematheque, Boston has become one of the best cities in the country for experimental film and the small colony of Underground film-makers is growing rapidly.” In other words, the Boston Tea Party / Film Maker’s Cinematheque was a well-staffed and well-equipped venue for the Exploding Plastic Inevitable’s spectacular light show and film projections to follow. In a recently preserved film, Warhol captured the Velvets (and the EPI) at the Boston Tea Party later in May, 1967. Although Warhol did not design this flyer, it is a rare, ephemeral, pink-and-blue document from a receptive and favorite venue. Excellent provenance.

© Todd Alden 2012                                                       Enquire

Alden Projects™: NY Art Book Fair Booth M01

























Alden Projects™ presents
Andy Warhol: The Art of Publicity

Alden Projects™ presents at the NY Art Book Fair 2012 (Booth M01) an installation of vintage photographs and rare ephemera by or about Warhol and his collaborators from the 1960s. This project includes: Factory photographs by Nat Finkelstein, publicity photos by Scavulo (and others) of early Warhol superstars of Tally Brown, Viva and others; flyers for Warhol films (including My Hustler and Beautiful 2 screened at the site of The Boston Tea Party in 1967); rarely seen exhibition posters from Germany, and even Warhol’s “Artcash” - a rare and little known currency of “Ones” that the artist designed in 1971 for Experiments in Art and Technology. 

Additionally, Alden Projects™ brings: important artist’s books by Marcel Broodthaers, Gordon Matta-Clark, Ed Ruscha and a photographic multiple by Robert Smithson; consequential press releases from the early 1980s (Metro Pictures); a flyer by Alan Suicide; Jean-Michel Basquiat’s first and most elusive catalogue. Also available for critical consideration and purchase: a recent book-object by David Kennedy-Cutler published by Alden Projects™ in an edition of ten (and containing a unique drawing) and the latest zines by Jocko Weyland.

Alden Projects™: “Where Art’s Publicity Apparatus Is Always Considered…and Always for Sale!”™


NY Art Book Fair 2012
Preview: Thursday, September 27, 6–9 pm
Friday, September 28, 12–7 pm
Saturday, September 29, 11 am–9 pm
Sunday, September 30, 11 am–7 pm

MoMA PS1
22-25 Jackson Avenue at 46th Avenue
Long Island City, NY

The NY Art Book Fair is free and open to the public.